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Songs, Stories, Shanties and Shenanigans (Remastered)

by LP Kelly

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about

Re-release of the 2013 Old Man Kelly record, "Songs, Stories, Shanties and Shenanigans", re-mastered for 2020 and sounding better than ever. Includes three unreleased bonus tracks from the original recording sessions.

* * * * *

It takes a village to make a record. Thanks to: Chris, Nathan, Mark, Hugh, Bill, Paul, Ginger, Kat, Cindy, Greg, Matt, Garrett, Adrianne, Russ, Nathan, Bob for the music; The Jugbusters, The Halliday Line, The Empties for helping me test drive these songs; Al, Anita, Bobby for the booking support; Nancy and Whitney for the art; Buckeye Banjo for a great instrument; Buddy for being a teacher and an inspiration; The Don't Tell Darlings; all my friends and family; the weird and incredible world of musicians, artists, dancers and rabble rousers without whom the shenanigans could never happen. Thank you all so much!

"Fancy chords don't mean nothin' if you ain't got that beat." - John Lee Hooker, "Teachin' the Blues" (1961)

Booking and contact info:
lpkelly.com
booking@lpkelly.com

credits

released September 4, 2020

All music performed by Old Man Kelly except:

Chris Printz - Bass on "I Can Help You With That", "Cafe Noir", "Elder Greene Blues"
Nathan Bowles - Drums on "I Can Help You With That", "Cafe Noir", "Elder Greene Blues"
Mark Barbour - Accordion on "Cafe Noir"
Hugh Crumley - Bass on "Getting By On Luck"
Bill, Paul, Ginger, Kat, Cindy, Greg, Matt, Garrett, Adrianne, Russ, Nathan, Bob - Vocals on "Stormy"

All songs (c) Liam Patrick Kelly (BMI) except:

"Policeman", "Shallow Brown", "Katie Kline", "Stormy", "Red Rocking Chair" - Traditional, arr. Liam Patrick Kelly
"Elder Greene Blues" - Charlie Patton, EMI Longitude Music Co.

Photos by Nancy Jurek
Drawing by Whitney Waller
Recorded, Mixed and Mastered by Liam P Kelly
Design and Layout by Liam P Kelly

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LP Kelly Blacksburg, Virginia

The sound of LP Kelly (formerly Old Man Kelly) comes from the early days of American roots music: when bluesmen sang from front porches on hot afternoons; when swing bands played dances in speakeasies late into the night. Kelly has worked to encourage a renaissance in music that has a history and a place – music that demands the listener dig deeper to find its roots in geography and time. ... more

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